Wednesday, August 25, 2010
Online Arguments: Serious Business
Oh, you silly humans and your "Hunting down and attacking a man who insulted you while playing Halo." (And yes, I know that it was a PS3 game they were playing, and therefore could not be Halo. Quiet down with your facts).
Sunday, August 22, 2010
Predators
Now to continue the therapy, by talking about something very unlike Ms. Glitter Demon. That is, “Predators”, by Robert Rodriguez. The film, released last month (Yes, I’m a bit behind the times. Shut up.) was made as a sequel/spiritual successor to the original “Predator” film, with the intention of taking it back to its roots.
I should warn you now, I have never seen the original Predator. A horrible crime, I know, especially when I’ve seen most of Ahnold’s other famous movies. I am familiar with most of the memes that spawned from the film, but apart from that, this review will be from the eyes of someone new to the franchise.
The premise of the film is simple. Six of the world’s best killers (and a doctor), ranging from Spetsnaz to Yakuza (why does spellcheck hate Spetsnaz, but not Yakuza?), are dropped onto an alien planet, where they are hunted as game by three aliens. No time is wasted in establishing this premise either; film starts, people are dropped out of the sky onto the planet, everyone gets together, and we get into the action.
“Predators” does exactly what it tells you it’s going to do, and no more: Provide 1 hour 47 minutes of human versus Predator action in an alien jungle, filled to the brim with action and testosterone. There’s nothing else going for it; the plot is simple, the characters are flat, and there’s no message the director is trying to give us. But that type of manly awesomeness is what the Predator franchise does best, and “Predators” is very, very good at it. There’s no mystery for the audience when we walk into the theater. We know exactly what’s going on when all the characters find themselves on the planet, even if they themselves don’t know. Even people like me, who haven’t seen the original films, are so familiar with the concept that we don’t need anything to be told to us. The film knows this, and works with it amazingly. It’s as though Transformers had just compressed everything with the human characters and their silly human stories into 10 minutes, and then had spent the rest of the film in a huge battle between the Autobots and Decepticons. It’s nothing but cheap action and suspense, but it’s good cheap action and suspense.
And here I need mention Hanzo. Hanzo, played by Louis Ozawa Changchien, is a Yakuza enforcer. He singlehandedly outbadasses every other character in the group. I now feel that Damios’s talks about how amazing the Yakuza are how now been justified, as from the moment he steps down onto the planet, in his clean, white suit, every action he does is filled with awesome. This is despite the fact that he has among the fewest speaking lines out of every other character (which really only adds to his badassness). And towards the end of the film, he succeeds in outdoing every other character from the Predator franchise by (spoilers ahead) fighting and defeating a Predator in single combat WITH A KATANA. Yes. A katana. No traps, no tricks, no camouflage, he stands out in a field, waits for the Predator to come, and then fights it. With a katana. I feel that has to be reemphasized.
“Predators” is nothing but action oriented fun; that’s all it succeeds at being, and that’s all it tries to be. There is absolutely no reason at all to go and see it unless you want over an hour and a half of violence and testosterone, but if that’s what you want to see, hell yeah go and watch it. And then bask in the manliness that flows outward from the screen, as you chop down a tree and eat a shattered glass and rusty nails sandwich.
And I never thought I would describe a movie with Adrien Brody in the lead role as manly….
Saturday, August 21, 2010
The Death and Post-Mortum Rape of Music
Monday, August 16, 2010
China Beats Japanese Economy, and Thoughts On New York Mosque
Free Exercise Clause: "or prohibiting the free exercise thereof"
Sunday, August 15, 2010
Twitter Experiment Pt. II
Twitter Experiment
Friday, August 13, 2010
Another Hero
http://www.colbertnation.com/the-colbert-report-videos/343699/august-10-2010/alpha-dog-of-the-week---steven-slater
Steven Slater, for your service to employed Americans everywhere, I salute you!
Thursday, August 12, 2010
Super Villains! But Of Course!
Real...Life...Superheroes...Sort of...
Tuesday, August 10, 2010
The Path
Anyways, onto the subject. “The Path” is an art/horror computer game created by Tales of Tales, which can be downloaded online for $10. The game confuses me; at the start, I am given a choice of six girls to play as, all with names based on “Red”. You appear on a path in the middle of a forest, with the instructions to go to Grandma’s house, and not leave the path. Being the obedient person I am, I have consistently followed these instructions to the letter, going straight down the path, for the 1-2 minutes it takes to reach the house. Then the game ends, and tells me that I failed. Very confusing. But at least I have the comfort in knowing that I did what I was told.
Okay, serious review now. Technically, everything I said above is true. In case “Grandma’s House” and the names based on red didn’t tip you off, the game is (another) gothic take on Little Red Riding Hood. The only way to actually play the game is to completely disregard your instructions, and leave the path to explore the forest. Exploring the forest makes up the core of the gameplay, although gameplay may not be the correct term. The Path isn’t a traditional game; there are no enemies, puzzles, or challenges at all really. The goals are vague, especially since the ones stated by the game aren’t the ones you’re supposed to actually follow. Most of your time is spent just wandering around the woods, looking for landmarks. Depending on the girl you’re playing as, approaching different objects/landmarks may trigger a reaction from her, and let you read her thoughts (which is where a lot of the characterization for each girl comes from). If you wander enough (Or if you’re feeling lazy, and just make a beeline for the wolf paw print on your screen) you’ll encounter the Wolf. Each girl has a different Wolf, and for only one of them is it an actual wolf. After meeting the Wolf, a cutscene plays, and the screen fades to black. When gameplay resumes, the girl is lying outside Grandma’s house, except now the color is drained, she moves slowly, and everything is even more bleak and depressing than it was before. When you enter Grandma’s house, inside things get…. Weird. Then, after reaching the end of the house, you’re given a grade depending on how much stuff you found exploring (the grade really doesn’t mean anything at all), and you can try again with a different girl. So, it isn’t really a video game. What is it then?
Well, The Path is what happens when someone, upon learning about metaphor and symbolism during English Class, started taking their use way to seriously, and built up an entire game around it. I’ve heard The Path described as the Rorschach test of video games, and I believe that to be a fitting title. I have read flame wars online between people debating the meaning of each girl’s story. Some of the girls have pretty basic ones which everyone can agree on (Carmen), others tend to be a bit more confusing (Ginger) and others left me with filled with WTFery at the end (Rose). If you try to take a literal approach to the game, you will be confused, and likely won’t be enjoying your time playing. If you go for a metaphorical outlook, you’ll still likely be confused, but at least the game won’t just seem like a bunch of random nonsense.
It’s hard to give a definitive statement on how good the game is. The Path suffers from a massive case of Your Mileage May Vary. I personally liked it, but it has some glaring flaws. Gameplay is incredibly repetitive. There’s only a single map, most of which is a featureless forest. The girls move at different speeds, but some of them feel horribly slow, which only accentuates the blandness of the map. Controls, while simple, can get a bit iffy at times, and the collision detection is absolutely horrible. Graphics aren’t very good, and no matter how high you put the graphic settings on the game, they will never be as high quality as the screenshots from the official website. Another thing the website lies about: The genre. It claims to be horror, but there really isn’t anything scary in it. Creepy, yes. Surreal, yes. Disturbing, yes. But nothing there that would actually scare the player. It’s like they set up the atmosphere for a horror game, but then didn’t add the actual horror. Plus, the lack of instructions can lead to some confusing situations where you sit around having absolutely no idea what you’re supposed to be doing.
But as I said before, I still enjoyed it. First off, I love exploring in video games. I’m one of those freaks who loved sailing in Legend of Zelda: Wind Waker, and who end most game playthroughs with near 100% completion, even when I’m not doing a 100% run. As such, I really didn’t mind the repetitive exploring of the forest, even if I did find myself critiquing the running forms of some of the girls while exploring. Also, I, as an English major, love to analyze things. Trying to figure out the meaning behind the use of the greenish light hue during Scarlet’s walkthrough of Grandma’s house? Fun times! While we’re at it, we can debate about how much Freudian imagery is in the game! It’ll be a party!
In conclusion: If you’re a very strange person like me, who enjoys overanalyzing symbolism and trying to figure out just what a story really means, you’ll enjoy the game, and I’d recommend checking it out. After all, it’s only $10. Otherwise, avoid it.
P.S. After reading Damios’s review, I watched Sengoku Basara. Awesomeness ensued. If you’re ever feeling in the mood for something epic, watch it. I’d put it as the second most inspiring show to watch, behind (and I know Damios will disagree here) Gurren Lagann. And it’s half as long as Gurren Lagann, so you’re able to get the epic inspiration in a faster time!
Coolest Gaming Article Ever: What Do The Yakuza Think About Yakuza 3?
Sunday, August 8, 2010
New Layout, New Banner, New Review!
Sengoku Basara/Victorious Review
I first saw Sengoku Basara about a month or two ago. I’d read a lot about it from TVTropes, and I’d seen plenty of memes referring to this as one of the craziest rule-of-cool run TV shows ever written. I stopped watching about 3 episodes in, and started watching last week when I was bored at work. Since then I’ve made my way through about half of season one and gotten a really good feeling for the series as a whole. I figured this would be a good series to get started writing again (got one for VicTORIous on the way) and get posted on the site.
For those of you not in the loop, Sengoku Basara is an anime based off of a video game line that is loosely based off of the Sengoku period of feudal Japan. And I mean “very loosely.” Like, in the same way “the Ultimate Battle for Ultimate Destiny” is based off of world history. Though all the characters were in fact real historical characters during the period, pretty much everything else in the show was taken to extreme levels.
Most of the story deals with various warlords vying for supremacy of feudal Japan in a somewhat mystical setting, with warriors frequently engaging in battles that culminate in Technicolor dragon-shaped thermonuclear explosions miles wide in every direction. The cast is very colorful and has their own little…quirks, if one can call them that. The story mostly focuses on feudal warlord Masamune Date, the “One Eyed Dragon of Oshu,” and the general of Takeda Shingen’s army, Yukimura Sanada. But plenty of screen time is also given to many other feudal warlords, such as the very effeminate Lord Kenshin and his stripperific female ninja lover who gets orgasms every time he touches her hand, or villain antagonist Nobunaga’s brother-in-law Lord Azai, or even Lord Honda Tadakatsu, the series’ trademark living gundam. Yes, you read right. The series has a feudal samurai gundam.
If the bright explosions and absurd-sounding cast didn’t give it away, the series is pretty much a meme factory. The first two minutes of the show has in fact become an ascended meme for Masamune Date’s awesome gratuitous English. The aforementioned Masamune Date is well known for wielding six katanas at once as his personal weapon, and Nobunaga’s cape happens to be twice as efficient at killing people as his shotgun. And then there's also Yukimura getting repeatedly punched in the face by his Lord as a form of training. For the record, they love each other like father and son. Seriously. Also, there’s a living gundam with his own launch bay. I feel as though I can’t emphasize that enough.
Story wise, the show has a plot that’s actually surprisingly complex given that it’s pretty much just meant to deliver solid awesomeness to your screen and leave your jaw hanging from the absurdity. That’s not to say it’s a great plot. It stays true to a lot of the Bushido style idealism that was rather common during the era, with honoring alliances being a major factor in the story. There’s legitimate conflict and forward movement, and the plight of the characters is interesting enough to warrant some emotional investment. But the plot also doesn’t really overreach and always focuses on moving the story forward…for the most part. There are a couple snags and somewhat pointless threads that get caught up every now and then, but ultimately they don’t detract that much from the overall show. If rated on the intricate Japanese feudal plot scale of one to ten, with ten being the Tale of Genji and one being asian porn, this would definitely get about a 5 or 6.
Another area where the show suffers is character development. The villain antagonist isn’t really revealed until episode 4. Until then, you just have a bunch of crazy looking Samurai fighting each other. Worse yet, there wasn’t much motivation besides “CONQUER JAPAN!” with no indication or differentiation between warlords except their crazy costumes/voice actors. It makes it very hard to really care about any of the warlords for the first couple of episodes, which sort of makes it a wash. Of course, the arrival of Nobunaga changes all of that. The first couple of episodes are pretty much a bunch of battles loosely strung together between random factions until the characterization really begins. This was when I first lost interest in the story, because it was just kind of messy, bright, and colorful.
Fortunately, once he finally appears things really start to pick up. The show gets a new focus, which is very helpful, and the intricacies of the plot start to develop. Almost every character develops more personality, which is very nice. Individuals I had no interest in at the start of the series become much more fun to watch as time goes on because I actually saw their motivations and what drove them to action.
Ultimately, the story may not be stellar, but I do feel it does a pretty decent job of connecting viewers with the characters. This approach is probably what works most in the series’ favor, since the characters are the biggest factors in whether or not you’ll like the show. The action sequences, while very pretty and really cool (perhaps some of the best in anime) wouldn’t have kept me around if the whole of the series is just a confusing mess of random violence.
Overall, if you’re in the mood for an action-packed show about battle samurai that does a bit more than pay lip service to the story, I recommend Sengoku Basara. The story may have its ups and downs, and the whole thing may have a slow start, but give it about 3 episodes and the payoff will be pretty good.
Victorious
Alright, most of my beloved readers will probably turn away now by simple virtue of this being…well…a teen/tween girl show. And feel free, after I explain myself. Victorious is the most recent of a series of shows all written and produced by the well known producer Dan Schneider. In case you aren’t familiar, Dan Schneider was the producer for classic kid shows like “All That,” “The Amanda Show,” and above all others “Kenan and Kel,” my favorite show growing up as a kid. In fact, “Kenan and Kel” was ultimately what motivated me to seek out a more recent Dan Schneider show. It’d been a long time since I had seen a show by him, since I started getting into stuff like Toonami (R.I.P., you’ll be sorely missed) at about the time “All That” and “the Amanda Show” finally quit out. With such fond memories of the hijinks of the show’s stars, I was curious to see what Schneider was up to.
My options for recent shows were kinda limited, however. There was “Zoey 101,” but I’d rather cut off my own hand than watch anything involving Britney Spears or her younger sister. There was iCarly, which was a legitimate consideration, but “Victorious” was pretty much just came out, so what better option is there for how Schneider had changed than something that was literally being updated live as we speak? Course, there were only about 8 episodes total released, so in the end I started watching both Victorious and iCarly as a point of comparison. Ultimately, this is what I came up with, so enjoy the read.
Victorious focuses on the life of Tori Vega, played by Victoria Justice. Tori gets transferred over to Hollywood Arts (an arts school, if you didn’t catch on) after she replaces her sister Trina in a play and displays enough talent to catch the attention of…whoever makes admissions decisions at the school. She ends up quickly developing a small group of friends who form the core of the show, the entirety of the cast more or less. The lineup (pictured below) consists of nerd Robbie and his puppet Rex, genki girl Cat, older sister Trina, the titular Tori Vega, laid back musician Andre, libby punk girl Jade, and Jade’s boyfriend and laid back cool guy Beck.
If you noticed anything at all about the cast, it’s the eye candy. Those are some very pretty people. And before you ask, when I first saw the show and noticed how good looking they were the first thing I did was Wikipedia the stars to know just how awkward the situation is. Good news is not only are most of the stars legal, but (for me, at least) they also all fall under the “Divide By Two Plus Seven” rule, so it’s not even technically creepy for me to think of them as eye candy. Gotta love technicalities.
Man I'd tap that so hard...wait, is that a giant cupcake?! I'm in love!
Attractiveness aside, the actresses do have a fairly impressive pedigree. Two of them were actually a part of a Broadway play together before. I’m referring to Elizabeth Gilles (Jade West) and Ariana Grande (Cat), who were both part of the play “13,” which has something to do with something about a bunch of 13 year olds and the Jewish manhood celebration thing…I really didn’t look into it that much. Victoria Justice has been around, having been a cast member in “Zoey 101” and was in the iCarly movie “iFight Shelby Marx.” I couldn’t tell you anything about these roles, since neither is as glamorous as a Broadway role and I haven’t seen anything relating to the other two to comment, but honestly she’s pretty good in the show. She doesn’t overact, which I wasn’t really expecting. Ariana Grande actually has a tendency to overact more than any other member of the cast, though as the token genki girl that’s pretty much inevitable I suppose. Everyone else does a passable job, though I’m not the best judge for that sort of thing.
Also, diggin' the attitude on this one. Right, back to reviews!
In terms of story and plot…it’s a tween show. Expect a fair share of drama and “power of friendship” moments. There’s actually pretty much nothing remarkable about the show’s story save some of the crap that they get past the radar and some added bonuses throughout. I mean sure, the characters are decent, but I get the distinct impression that if you’ve seen a family friendly kid drama show you can expect to have seen everything Victorious has to offer so far. It’s akin to how most shonen ultimately play out in a similar fashion. If you’ve seen DBZ, you’d pretty much know the plot progression style of “Bleach” and “Ruroni Kenshin.” I wouldn’t consider it a strike against the show, but it certainly doesn’t work in its favor either. Execution is ultimately what saves a series like this, but execution isn’t really all that remarkable either. Schneider succeeds in telling a story, but that’s really all he accomplishes.
The show is light on humor and heavy on canned laughter, which is rather unfortunate. I dislike canned laughter a lot. I don’t really want to be told what is and is not supposed to be funny. If it’s funny, I’ll laugh. But when you make a joke that I don’t find funny, the canned laughter doesn’t do anything besides point out that you failed at making me laugh. Western television in general overuses canned laughter too much. The humor is a bit juvenile, and really isn’t very clever for the most part, but given the audience it’s kind of expected. What I really do like is the stuff they sneak by. I’ve never seen homosexuality referenced so blatantly in a kid’s show before. I’m referring specifically to Cat telling the group about how she discovered the Sky Store catalogue while visiting her “Uncle and Uncle in San Francisco.” The show also kind of pays lip service to drugs more than I expected. In this case, it’s the theater professor Mr. Sikowitz and his addiction to coconut milk, which gives him “visions.” In one episode, Tori Vega incorporates a living bird into her performance while Sikowitz is enjoying his coconut milk. This results an exchange similar to this
*Sikowitz leans forward to whisper in Beck’s ear*
Sikowitz: “You see the bird too, right?”
Beck: “…yeah…”
Sikowitz: “Exxxxcelent…”
There’s other bits like that, most of which you can find in the “getting crap past the radar” page of TVTropes. It’s always fun to catch one.
In the end, the show isn’t all that great. But it doesn’t really have to be. Successful television programming created a series of niches in program scheduling that sort of exist unofficially, but they have to be there. Much like shonen that involve fighting an eternally increasing scale of bad guys, saving the world from certain doom every alternating Tuesday, and bad guys with various “final forms,” Victorious does a decent job of filling the “teenage drama girl” niche by creating likeable and interesting enough characters to warrant curiosity about the ins and outs of their lives. I’m mostly just thrilled that they’re so damn attractive. Still, while I very much doubt anyone here is interested in seeing such a show, one could do worse than “Victorious.” Try it out if you’re curious as to what passes off as a decent, if somewhat unremarkable, kid’s show.
Friday, August 6, 2010
And A Quickie On Prop 8 Being Overturned
"We are pleased to see that Judge Vaughn Walker was sensitive to the concerns of people of faith who oppose same-gender marriage on religious grounds but that he recognized, as do we, that their religious freedom will not be impacted by the legalization of same-gender marriage. America's diverse religious landscape leaves room for a variety of theological perspectives on same-gender marriage; indeed, some faiths enthusiastically support it and others vehemently oppose it. Under this ruling, as with any constitutionally based marriage equality law, no religion would ever be required to condone same-gender marriage, and no member of the clergy would ever be required to perform a wedding ceremony not in accordance with his or her religious beliefs."
Yay! Give this man a cookie! He actually *reads!*